Google’s Blogger DMCA takedown procedures a hot mess

Google’s Blogger DMCA takedown procedures a hot mess

broken-blogger-dmcaGoogle’s claim that it’s doing a great job streamlining its response to DMCA takedown notices on its Blogger-hosted websites doesn’t jibe with the truth.  This year the U.S. Patent and Trade Office  (USPTO) has been holding a series of hearings with the goal of “improving the operation of the DMCA notice and takedown policy.”

The first public meeting was held this past March in Alexandria, Virginia and second took place May 8th in Berkeley, California. I was able to attend the Berkeley hearing in person and heard representatives from content creation industries and service providers give their perspectives on the current state of “notice and takedown” for infringing content and what could/should be done to “fix” it.

Each speaker presented a PowerPoint, links to which can be found here and a video archive here.  As with the initial hearing in March,  Google was represented by its Legal Director for Copyright,  Fred von Lohmann who walked the audience through Google’s “DMCA notice and takedown tools” and highlighted what he called the company’s “trusted submitter program.”  In his PowerPoint, Mr. von Lohmann referenced Google blog post from 2011 “New tools for handling copyright on Blogger” that supposedly highlighted the great progress that’s been made in streamlining the process.

Listening to Mr. von Lohmann it seemed clear that his words were designed for an audience made up of government officials and industry representatives and not indie artists.  He (carefully) described a two-tiered system in which “trusted” submitters have access to a wealth of takedown mechanisms to remove infringing content from Google affiliates.  However, aside from YouTube, access to these “trusted” programs seems limited to the big film and music entities.

Specifically, with regard to Blogger, the criteria as to how one becomes a part of this so-called “trusted submitter” program remains murky and ill-defined.  Immediately following the event I searched Google to find out more (and how to apply) I only came across a link to Mr. von Lohmann’s USPTO PowerPoint.  There was nothing on any Google site to answer the question as to how indie rights holders could utilize this so-called “tool.”  Since there was no more information to be found, shortly after the event I took to Twitter to ask @flohmann directly for a clarification on his presentation.  The response thus far, only crickets…

Tweet-to-fred-vonlohmann

In addition to this lack of clarity as to who exactly can take advantage of certain tools, Mr. von Lohmann’s careful characterization of his company efficient takedown system did not match my user experience, particularly with regard to Blogger.  Over these past few years I’ve documented time and time again the many ways Blogger--and therefore Google–fails to live up to its promises to remove infringing content from its platforms.

google-blogger-claimYet, according to Google’s self-published, self-serving report, “How Google Fights Piracy,” (that I’ve criticized in a previous post) the company continues to insist that it’s proactive fighting piracy on its Blogger web-publishing platform:

We remain vigilant against the use of the Blogger platform by pirates looking to set up a free website…we will remove infringing blog posts when properly notified by a copyright owner, and will terminate the entire blog [emphasis added] where  multiple complaints establish it as a repeat infringer.

Sorry, but the facts clearly don’t match up with this corporate hyperbolic PR spin.  Truth be told, Blogger’s takedown system is, in reality, a hot mess.  Add Google Drive to the mix and company claims of a “streamlined” takedown process seem even more absurd.

  • Blogger content that is reported as infringing takes weeks, not days to remove.
  • Blogger hosted blogs that are in the business of promoting pirated movies remain online despite multiple, repeated DMCA notices and despite clear evidence they exist to pirate films.
  • The Google DMCA takedown procedure is not easy to navigate.  Once users find it, they must repeatedly choose options in order to (eventually) get to the correct takedown form, even someone well versed in the procedure.  Why not offer direct links to the correct forms for each platform?
  • Blogger’s website templates offer no direct links to Google’s (streamlined) takedown form.  Why can’t Blogger hosted sites automatically provide a button/link in their menu bar or footer, designed as part of any page template to enable easy and direct access to Google’s “streamlined” takedown form?
  • Google Drive takedown procedures are convoluted and unclear.  No easy way to determine file’s URL to report and no direct link to report.
  • When a file is reported on Google drive it can take weeks, not days, to remove the infringing content.

Rather than fulfill its promise to expedite takedowns for copyright infringement, it seems that the “Google Team” does everything within its power to make the process convoluted, cumbersome and difficult–particularly for individual artists who don’t have the deep pockets to hire help and/or automate the takedown workflow.  Please take some time to review the graphics that I’ve created that illustrate just how badly Google is doing when it comes to Blogger (and Google Drive) takedowns.

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Given the complexity (and hilarity) of attempting to remove pirated stream of our film “And Then Came Lola” (seen in the example above) hosted on Google Drive I made the following video that will walk viewers through the process. Weirdly I was able to find the URL (that was not the case with some of the other examples I’ve provided) yet that didn’t help much since pirated copy is still, as of today, June 1st, available on line–more than two weeks after I sent a DMCA takedown notice to Google.   As far as I’m concerned, when Google characterizes itself as doing a good job with this process I can only shake my head.  No matter how many ways Google spins it,  it’s not true.

 https://vimeo.com/97077933 

Coming soon, Part Two:  How Google Could Fix its Broken DMCA Takedown System

Kickass Torrents domain named seized, but the pirate site still lives?

Kickass Torrents domain named seized, but the pirate site still lives?

kickass-torrentsWebsites that offer pirated movies and music are taking it on the chin as of late.  First movie2k.to disappeared (only to be reborn as a dubious duplicate) and now Kickass Torrents, one of the most popular torrent sites on the web,  has had its domain name (kat.ph) seized by Philippine officials.  According to Torrent Freak:

The action was taken following a complaint from local record labels who argued that the second largest torrent site on the Internet was causing “irreparable damages” to the music industry.

The domain seizure didn’t stop the site of course, it merely moved to a new domain name.  A message posted at the new domain explained,

We had to drop Kat.ph as a part of our global maintenance….This was a hard decision, but it was necessary for the further development of KickassTorrents. Stay tuned for more news.

“Global maintenance” seems to be their euphemism for staying one step ahead of the law.  At any rate, despite the fact the site has moved to a new domain, the good news in all this is that there seems to be increasing momentum to shutdown, or at least disrupt, websites that facilitate illegal content theft.  Of course, if you want to find a site to watch or download movies and support the filmmakers who make them you could go here instead.

 

Update:  Torrent Freak has updated this story and adds the MPAA is targeting the new domain for  Kickass Torrents in order to get the site’s homepage links delisted by Google.

… the MPAA appears to be hand-picking torrent sites and streaming portals in an effort to have their homepages de-listed from Google. The new KickassTorrents domain Kickass.to is one of the first casualties of this strategy.

This is good news for all the musicians, filmmakers and authors whose work is routinely ripped off via this site.

BBC Make a Smart Move to Thwart Piracy of its TV Shows

BBC Make a Smart Move to Thwart Piracy of its TV Shows

For many people who download “free” stuff, particularly television shows, it’s not the free part that drives them to torrent sites but their eagerness to watch.  The BBC has taken a promising step toward eliminating this excuse to pirate.  The much-hyped series “Dr. Who” will have its premiere on September 1st.  Eager viewers in the United States and Australia will not have to wait long to watch it online (through legal means).   According to Forbes’ Ewan Spence:

There will be fans that still do this, but for the majority of fans in tow major centres of Timelord fandom they have another, easier, and legitimate option, put in place by their own broadcasters in conjunction with the BBC.

In the US, BBC America will ask fans to wait just six hours after the episode is broadcast in the UK before screening it across the continent, a minuscule timescale when you look at the wait some television series have to wait to get a cross-Atlantic screening. Can fans avoid spoilers for just six hours? Probably…

To read the full story on Forbes.com go here.